Midas PRO Series User Manual Page 15

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Automation Virtual Eff ects Racks
1,000 Scene Automation System
The PRO X’s automation system can store and
recall up to 1,000 snapshot scenes. These contain
the audio parameter values for every control
on the console as well as the network routing,
con guration of the FX rack, and the format of the
mixer itself, all of which is scene-speci c.
Scope
Hardware automation ‘safe’ buttons are provided
to enable the operator to quickly isolate selected
processing areas from recall should this be required
during a performance. In addition to these isolation
functions, the store and recall of scenes can be
‘scoped’ such that only the areas that the operator
wants to store or recall are a ected (all other
controls remaining in their current state).
Routing Reassignment
NEUTRON’s comprehensive routing system can be
placed entirely under the control of the automation
system, enabling scene-by-scene changes of
input sources, output destinations, inserts and
virtuale ects.
GPIO And MIDI Events Per Scene With
Time-O sets
MIDI input and outputs are provided, for control of
external MIDI devices, or for recalling console events
from an external MIDI source.
E ects Algorithms
The PRO X includes an extensive array of onboard
e ects, rendering outboard processing racks a thing
of the past.
The cutting-edge, 40-bit,  oating-point DSP
processing hosts a wide choice of virtual FX
devices, which range from dual-stereo delay
units, stereo modulation and many diverse reverb
FX, to multiband compression, dynamic EQ and
multichannel dual-function dynamics processing.
This gives the PRO X the capability of providing up
24 simultaneous real-time e ects engines which are
available without compromising any other audio
functionality. Custom-designed and physically
modelled after some of the most iconic and
sought-after processors, all e ects run inside the
low-latency environment of the PRO X mix engine,
ensuring  awless performance,  exible routing and
the end of cable faults forever.
2928
The Live! Award 1995
Dual Stereo Chorus
The chorus e ect is achieved when individual
sounds with similar, though not identical timbres or
frequencies are combined. This e ect is modelled
after the Boss Dimension C, its four presets are
based on the original, the Dual Stereo Chorus has
been modi ed to provide stereo width control and
it is a true stereo device.
Phaser
A phaser is an electronic sound processor used
to  lter a signal by creating a series of peaks and
troughs in the frequency spectrum. Our phaser is
loosely modelled after the Mu-Tron Bi-Phase, and
features variable shape sweep, variable stages and
stereo e ects.
Flanger
Flanging is an audio e ect produced by mixing
two identical signals together, one signal delayed
by a small and gradually changing period. This
e ect imitates a traditional  anger e ects unit with
variable Low Frequency Oscillator shape, ‘Thru-Zero’
which emulates real tape  anging, and also has
adjustable damping parameters.
All software versions, including stored shows on a USB stick, are
both forward and backward compatible, a show created on a
PRO-Series console can be loaded into another MIDAS console
regardless of the software version on either system.
MIDI messages and GPIO (contact closure) signals
can be sent and received by the MIDAS Console
Automation System to local I/O at the console
position and remotely to MIDAS I/O devices which
can be 500 m away.
Show-Wide Edits Via The Show Editor
Channel settings can be edited in advance of recall
– across any or all scenes – from the Show Editor,
and scenes can be re-ordered, inserted and deleted,
simply and quickly, without overwriting their
designation. Scenes can be recalled instantaneously,
with no discernible drop in audio, or via complex
crossfade options, including programmable
surround-sound panning events.
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