Midas PRO Series User Manual download pdf (Page 7)

House of Worship Theatre

Contemporary worship features a wide variety of

praise activities, covering spoken word, live music

and theatrical performance, often in a single service.

PRO X’s advanced snapshot automation and colour-

coded POP Group navigation allow operators to

create organised work ows and mind maps to make

seamless scene changes from a pastor’s sermon to a

full live band, to a drama performance.

In conjunction with the KLARK TEKNIK DN9650

Network Bridge and the KLARK TEKNIK KT-DANTE64

network module, PRO X can simultaneously record

64 channels of live 96 kHz 24 bit digital audio

straight into the Ethernet port on a computer using

the Audinate Dante Virtual Sound Card*. Entire

worship services can be recorded in pristine quality

and shared with the congregation.

Each of the 24 displayed mixes has its own LCD

select switch with RGB colour coding and write-on

PRO X’s 1,000 scene snapshot automation can

cope with even the most sophisticated theatrical

productions. Hardware automation ‘Safe’ buttons

enable the operator to quickly isolate selected

processing areas from recall should this be required

during a performance. The store and recall of scenes

can be ‘scoped’ so that only the areas that the

operator wants to store or recall are a ected.

Channel settings can be edited in advance of

recall – across all scenes – from the Show Editor

screen, and scenes can be re-ordered, inserted and

deleted, simply and quickly, without overwriting

theirdesignation.

Scenes can be recalled instantaneously, with no

discernible drop in audio, or via complex crossfade

options, including programmable surround-sound

panning events.

The automation scenes allow MIDI events to be

incorporated, so that external MIDI-compatible

devices can be controlled as part of a scene change

via PRO X’s MIDI output. Additionally, console events

can be triggered from an external MIDI source via

PRO X’s MIDI input.

The PRO X control surface’s EXPAND feature

allows all 26 channel faders to be reassigned

to input channels, giving operators the facility

to ride multiple input channel faders during a

theatricalperformance.

This hands-on approach brings the immediacy of an

analogue console to a digital control surface.

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Queen’s Award 1986

information and 11-segment LED bar graph metering

gives both clear indication of signal levels and direct

access to the output mixes and their contributions.

When MCA navigation is used, the MCA faders

control the contributions only to the currently

selected bus. This output-centric approach rede nes

monitor mix work ows and the control of even the

most demanding stage monitoring applications.

The faithful and detailed reproduction of the MIDAS

microphone preampli ers and the time-aligned

and phase-coherent mix buses ensure maximum

intelligibility in highly reverberant and other

acoustically-challenging spaces.

The deterministic ultra-low latency o ered by

PROX’s AES50 networking allows multichannel

digital audio to be distributed throughout worship

halls so that speaker systems can be precisely time-

aligned to allow every member of the congregation

to hear every word.

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Midas PRO Series User Manual Page 7

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