Midas PRO Series User Manual download pdf (Page 9)

Dynamics Processing

The dynamics processing on the

PRO X’s input channel features

a frequency-conscious gate

and a choice of  ve di erent

compressor algorithms. Each

algorithm allows further creative

expression, as all feature variable

knee, internal and external side-

chain  ltering and colouration

artefact options.

Output bus compression

o ers a choice of  ve di erent

options, designed to provide the

engineer with a broad palette for

maximum creative potential, right

down to the visual display on the

screen changing to support the

di erent styles. More dynamics processing options

are available in the FX rack, including multi-band

compression and dynamic equalisation.

FX Rack and Graphic EQs

The PRO X can simultaneously process up to

48 Virtual FX algorithms and NEUTRON’s 40 bit

 oating-point audio processing hosts a wide choice

of virtual FX devices, which range from dual-mono

delay units, stereo modulation and many diverse

reverb FX, multiband compression, dynamic EQ and

multichannel dual-function dynamics processing.

All FX processors are custom-designed to function

within the MIDAS automatic latency compensation

system. This ensures a phase-coherent sample-

accurate mix regardless of whether the FX devices

are used as channel inserts or as a send-and-return.

Surround Panning

In addition to normal stereo

and SIS (Spatial Image System)

operation, the console can

operate in one of three surround

sound modes.

• Quad 4-Channel – L-R front

plus L-R rear

• LCRS 4-Channel – L-R-C plus

single rear channel

• Quad 6-Channel – L-R-C plus

sub plus L-R rear

All three surround modes feature

a divergence control to tailor the

depth of the surround panning.

Dynamic surround panning can

be implemented using the consoles trackball, or the

USB pointing device of your choice.

Free-Routing System

PRO X has up to 288 inputs x 294 outputs, with

point-to-point routing anywhere within the

network. These can be patched and routed on a

scene-by-scene basis via the powerful snapshot

automation system.

192 Channel Multi-Core

NEUTRON has dual-redundant HyperMAC ports

(both Cat5e and Optical), which provides the digital

equivalent of a 192 in / 192 out multi-core between

the stage and Front of House.

Eight AES50 ports facilitate connections to the DL

Series stage boxes and other AES50 I/O hardware,

such as the KLARK TEKNIK DN9620 AES50 Extender

and DN9650 Network Bridge, make the NEUTRON

more than just a processing engine, it’s the heart

of a performance area network of the best in

audiotechnology.

Delay FX can be individually con gured to

synchronise to the PRO X’s Global Tap-Tempo

hardware button, making on-the- y changes to

delay e ects child’s play.

NEUTRON

The Most Powerful Audio System Engine

Up to 36 1/3 octave KLARK TEKNIK DN370 Graphic

Equalisers (GEQs) are provided, which can be

patched into any output.

(Sample-Synchronous, Phase Coherent)

72 Aux Sends

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Midas PRO Series User Manual Page 9

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